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RED Post-Production and Finishing for Independent Films and Commercials

Event Film 2010
Format Dual
Organizer Parke Gregg – Stuck On On
Description The RED camera brings huge creative possibilities to small and medium budgets as well as huge technical issues that normally are solved by spending lots of money. This presentation will focus on the Post-production side of the RED. From on-set data management to color correction and mastering.
Questions
Answered
  1. What is the Red camera?
  2. How is the Red workflow different?
  3. What is a tapeless workflow?
  4. What problems does the Red camera introduce to post-production?
  5. Why is data management important?
  6. How do I edit footage from a Red camera?
  7. How do I color correct footage from a Red camera?
  8. How do I convince my producer/client to use the Red camera?
  9. From a creative/technical standpoint is Red better than film?
  10. How is Red different than HD?
Level Intermediate
Category Digital Filmmaking, Documentary, Editing, New Technology / Next Generation
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