Turn on ye ole Javascript to add ratings in this low-budg app.

You might also like:

"Hey - You Got Your p2 In My Redcode!"

Event SXSW Interactive 2009
Format Panel
Organizer Don Downie – Small Media Extra Large
Description With a plethora of new HD production formats available, how does a director or producer decide which one to shoot in? This panel will debate the benefits of IT-based HD production workflows, including RedOne's Redcode, Panasonic's p2 - in DVCPRO and AVC-Intra flavors; Sony's XDCAM EX, and options for capturing HD video directly to computer over digital connections.
Questions
Answered
  1. What is IT-based HD workflow?
  2. Of all these solid-state workflows, which do you shoot in, and why?
  3. If budget were no object, would you switch to another format?
  4. Are all of these formats really HD or not? If not, what does HD really mean, anyway?
  5. Forget the specs - which one of these just plain looks the best?
  6. Do you find that some HD formats are more sellable to your clients than others? Why?
  7. What are the benefits and drawbacks of each of these flavors of HD video?
  8. When do you need to shoot 4:4:4 video, instead of 4:2:2 or 4:1:1?
  9. Which HD formats work with which video editing programs? Do you need supercomputers to edit this stuff?
  10. Does the format you shoot in say something about you socially or politically? Is Sony a PC and RedOne a Mac?
Panelists Don Downie, moderator (Small Media Extra Large), John Fiege (fiegefilms.com), Denis Jensen (denisjensen.com), Justin Noto (agoncreative.com)
Level Advanced
Category Digital Filmmaking
HELP