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			Category:	All (315) A&R (21) Advertising (35) Blogging (19) Business (77) Career (33) Case Study (23) Cloud Storage/Delivery (4) Collaborative Filtering (2) Community (53) Content (29) Contracts (7) Copyright (16) Distribution (39) Economy (25) Entertainment Law (15) Entrepreneurial (47) Fair Use (5) Green / Environmental (9) History of Music (29) Home Entertainment (3) Human Interest (17) International (8) Labels (36) Licensing (25) Management (29) Marketing / PR / Branding (107) Mobile (19) Monetization (47) Music 2.0 (95) Music Placement (23) New Technology / Next Generation (67) Packaging (12) Production (11) Publishing (18) Radio (18) Regulations (1) Social Networks (54) Studio/Recording (15) Touring (44) Unions (3) Video Games (4) Web Apps / Widgets (16) Wireless (1) Work-Related Concerns (13)
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	Yes No	Leveraging the Power of Public and Community Radio Rick Heysquierdo, 90.1 KPFT, Houston The panel will outline how to create and market a Promo package in an electronic format (CD/DVD) for... READ MORE The panel will outline how to create and market a Promo package in an electronic format (CD/DVD) for submission and distribution to Public, College, Community, and LPFM Radio Stations. Topics covered include: Pre Recorded PSA's, Station ID's, City-Radio Station Specific ID's, Local Club Partnering, SXSW, Americana and AAA associations. Community, Marketing / PR / Branding, Radio
	Yes No	Get Your Music Licensed in a Commercial Sarah Gavigan, Ten Music Placing your music in a commercial can mean overnight success for a band, or Artist. But how do you... READ MORE Placing your music in a commercial can mean overnight success for a band, or Artist. But how do you get your music in the hands of the right people? This workshop will focus on, how commercials are made, and who the decision makers are, and how to market your music to them. Advertising, Licensing, Marketing / PR / Branding, Music Placement, Publishing
	Yes No	True Indie Label 2010 Charles Slomovitz, HappyParts Recordings Has digital delivery really killed the label model? Artists still need help with business and market... READ MORE Has digital delivery really killed the label model? Artists still need help with business and marketing - How can this be possible with limited revenue? There is no "I" in team. 1. Division of Labor 2. Work Ethic & Character - Artist and Label 3. Pressing and Distribution 4. Marketing 5. Global Markets 6. Digital + Retail 7. Touring + Merch = Clear agreement Business, Entrepreneurial, Labels, Music 2.0
	Yes No	Tools and Process of Song Creation Using World Collaboration Arthur Edstrom, Bitvibe Panel of experts discuss Internet tools and process of song creation using a worldwide base of creat... READ MORE Panel of experts discuss Internet tools and process of song creation using a worldwide base of creative talent. The barriers are gone! From songwriting collaboration, recording, mastering to song placement and distribution. All are available like never before. Business, Community, International, Music 2.0, Studio/Recording
	Yes No	Don't Gotta Be Austin: Creating a Music Town Jared Bailey and Karen Holt, AthFest The creative force behind AthFest, one of the most successful small town music festivals in the coun... READ MORE The creative force behind AthFest, one of the most successful small town music festivals in the country, and a university-based community development expert join forces to share tips on how your small- to mid-sized town can maximize its potential as a showcase for performers and music venues. Community, Economy, Entrepreneurial, Marketing / PR / Branding
	Yes No	Where is 'AdSense' for music? Jim Lucchese, The Echo Nest In this panel we'll discuss the challenges in promoting an artist on the Web and how new technologi... READ MORE In this panel we'll discuss the challenges in promoting an artist on the Web and how new technologies such as directed web crawling, data mining, machine learning and automatic content analysis can help artists and labels better understand, locate and build their online fan base Advertising, Blogging, Business, Marketing / PR / Branding, Music 2.0
	Yes No	New DIY Models For Merchandising Steve Gerstman, Cut Merch This presentation will discuss how to utilize new direct-to-fan capabilities(both on-line and off). ... READ MORE This presentation will discuss how to utilize new direct-to-fan capabilities(both on-line and off). It will also feature information on creating and managing a profitable in-house merchandise program. Monetization, Music 2.0, Touring
	Yes No	Making Money in the Music Industry - Looking at diversified revenue streams Nick Bobetsky, Milan Records I would love to discuss the various ways of not only surviving, but excelling in the music industry... READ MORE I would love to discuss the various ways of not only surviving, but excelling in the music industry as both artists, managers, labels etc. I would be happy to discuss, and am developing new initiatives for my label as well as outside efforts to promote the following, focusing on the success and future of independent artists. I'd love to speak about this at SXSW 2010. Our world of music is ever-changing and while companies fold around us, there are a few that are doing it right and even more room for those who can do it even better. It is about ethical record deals, realistic expectations and long-term commitment to the artist and their career. A&R, Advertising, Labels, Management
	Yes No	Maintaining Artistic Integrity While Running a Business Ravi Ravi, Ravi Enterprises An inspiring discussion on the importance of integrity and the artist's role in society, coupled wit... READ MORE An inspiring discussion on the importance of integrity and the artist's role in society, coupled with concrete techniques for making a living as an artist. Each attendee leaves with greater awareness about their own dreams and career goals, and how to go about achieving them. Business, Career, Entrepreneurial, Management, Marketing / PR / Branding
	Yes No	Creative Content Management and B(r)and Marketing Joran Oppelt, Creative Loafing Media With the decline in sales of audio recordings, musicians must now diversify their content (and reven... READ MORE With the decline in sales of audio recordings, musicians must now diversify their content (and revenue) streams to include audio, video, performances, merchandise, printed books or zines and more. In this session, you'll learn how to operate your band as you would a media company, treating your music as content, engaging fans and followers in meaningful dialogue, uniquely branding your user or fan's experience. We'll also discuss the new (and merging) roles of producer, manager, engineer and webmaster. Content, Management, Marketing / PR / Branding, Monetization, Music 2.0
	Yes No	How Mobile Music Will Show You The Money Andrew Fisher, Shazam People connect most with music while out living life and mobiles can be a direct portal to any artis... READ MORE People connect most with music while out living life and mobiles can be a direct portal to any artist’s world. Learn how mobile music will help you attract fans for life and sell more music as digital downloads, concert ticket purchases and social networking connections become just a thumb-tap away. Specifically, the role that mobiles play in the music discovery process and the untapped marketing opportunities that exist during the exact moment a fan connects with a new song or artist will be addressed. Business, Marketing / PR / Branding, Mobile, Web Apps / Widgets
	Yes No	Subscription Salaries and the Legitimization of Peer-to-Peer John Pointer, John Pointer, Patronism.com Musicians make music; Patrons make music happen. Artists can now connect with patrons to create an ... READ MORE Musicians make music; Patrons make music happen. Artists can now connect with patrons to create an online subscription salary. They can comfortably give away their *old* music as people subscribe monthly to make *new* music. This serial co-creation empowers artists to use file sharing as a legitimate distribution channel. Distribution, Entrepreneurial, Monetization, Music 2.0, New Technology / Next Generation
	Yes No	You Band Needs a Twitter and other Web 2.0 Rules Jennifer Kellas, TheMusicSlut.com / After the Jump Fest We've been throwing around this term "Social Media" a lot lately, but what does it actually mean and... READ MORE We've been throwing around this term "Social Media" a lot lately, but what does it actually mean and what impact does this have on the music world? With more and more bands becoming their own record labels and marketing teams, joining in the social media discussion is pertinent to a band's underground success, so how does a band start to engage and what tools do they need? This panel is made up of Social Media experts whom can advise not only bands but labels, writers and other music industry. Advertising, Marketing / PR / Branding, Music 2.0, New Technology / Next Generation, Social Networks
	Yes No	20 Years from Now: Feast or Famine? David Bennett, Wells Fargo Advisors What you do today will affect how you live in the future. Music is a business, and as such, our goal... READ MORE What you do today will affect how you live in the future. Music is a business, and as such, our goal is to create revenue. We will explore various ways to make the best of the dollars you earn and make it work for you, now and in the future. Business, Career, Economy, Work-Related Concerns
	Yes No	You Should Sign My Friend's Band: A&R and The Indie Label. Stephen Brower, Welk Music Group (Vanguard / Sugar Hill) As a large indie dealing in niche music, the industry's state of constant flux necessarily impacts o... READ MORE As a large indie dealing in niche music, the industry's state of constant flux necessarily impacts our A&R strategy, and likely those of our competitors. This panel will explore the role of the indie label in the current climate, and the strategies necessary to not only survive but also flourish. A&R, Content, Distribution, Labels, Music 2.0
	Yes No	Future Play: How Will We Listen to Music in 2020? Jonas Woost, Last.fm The way we are listening to music has been changing significantly over the last ten years and it loo... READ MORE The way we are listening to music has been changing significantly over the last ten years and it looks like it will continue to develop. This panel tries to look into the future and assess the issues that comes with the move away from physical recordings and how different sectors of the recording industry are affected. Cloud Storage/Delivery, Content, Labels, Music 2.0, New Technology / Next Generation
	Yes No	Musical Expression with Non-Traditional Instruments & Interfaces Logan Welliver, -- Demos & discussion of non-traditional (read: sweet) instruments and interfaces, focusing on how tech... READ MORE Demos & discussion of non-traditional (read: sweet) instruments and interfaces, focusing on how technology can make musical expression more accessible without sacrificing the soul and complexity that sets your soul afire, curdles your blood, and gets your booty shakin'! possible examples: Tenori-on, Reactable, DIY instruments Education, Interface Design, Music 2.0, New Technology / Next Generation, Other / Out There
	Yes No	Semantic Music Yves Raimond, BBC By publishing music information on the web as Linked Data, artists ensure that their material can be... READ MORE By publishing music information on the web as Linked Data, artists ensure that their material can be reused and discovered in new ways. Sites such as BBC Music and Myspace have been publishing structured web data enabling a wide range of innovative third party applications and mashups. Community, Music 2.0, Radio, Social Networks, Web Apps / Widgets
	Yes No	Music Marketing for Brands Chad Romiti, Draven Shoes This panel would cover how brands and bands and their labels can work together in a mutual way to pr... READ MORE This panel would cover how brands and bands and their labels can work together in a mutual way to promote each others products while still retaining credibility. It will also address how brands should approach adding music to their marketing plans and how to use music and product marketing to reach your target audience. Marketing / PR / Branding
	Yes No	Community Saved The Radio Star Sandy Hurst, Supernova.com Radio is a dying medium, being replaced by inexpensive, accessible and engaging music mediums like p... READ MORE Radio is a dying medium, being replaced by inexpensive, accessible and engaging music mediums like podcasting, streaming, and referral engines. However there is a way to tap into online distribution while supporting radio; Community can save the Radio Star. Community, Monetization, Music 2.0, Radio, Social Networks
	Yes No	Ten Years After: The Online Music Revolution-- Then and Now Tony Berman, Berman Entertainment and Technology Law It is ten years since Napster changed the music industry as we knew it. Napster ultimately fell whil... READ MORE It is ten years since Napster changed the music industry as we knew it. Napster ultimately fell while other innovators stepped in and continue to change the way music is distributed and consumed. What has changed 10 years down the road and where are things headed? Some of the key players from then and now share their hard-won insights on the state of the revolution. Music 2.0
	Yes No	Synch or Swim: Keeping Your Head Above Water Steven Scharf, Steven Scharf Entertainment / Carlin America A look into current trends both musical and financial. Join us as top music professionals discuss t... READ MORE A look into current trends both musical and financial. Join us as top music professionals discuss the creative end of synchronization licensing, and the current climate of fees associated with these areas. We will explore how to connect with both licensing and publishing companies to help exploit your music. Music Placement
	Yes No	Copyright Basics and Copyright Reversions for the Artist Stephen Easley, Easley Management There is no asset an artist owns that is more valuable to them then their copyrights, particularly f... READ MORE There is no asset an artist owns that is more valuable to them then their copyrights, particularly for long term economic security. At the same time, nothing can be more confusing than the underlying legal principles of copyright, not the process for protecting and managing this valuable resource. One of the most valuable rights granted by the 1978 Copyright Act was Copyright reversions, but ignorance of this valuable right could cost artists or their heirs millions of dollars, and copyright reversions are beginning to occur. We will explain how artists can protect these valuable interests. Business, Copyright, Licensing, Publishing
	Yes No	Tutorial to Help You Master Your Indy Project Bob Ludwig, President/Gateway Mastering & DVD Almost all of the world's greatest mixers do not master their own projects, mastering is such a diff... READ MORE Almost all of the world's greatest mixers do not master their own projects, mastering is such a different discipline from recording and mixing. You have a recording you are finishing that you did on zero budget and it is time to make it sound as competitive as possible. You can't afford a professional so what to do? We can't promise to turn you into a Bernie Grundman but we can give you a lot of suggestions and help you to improve your recording using your own tools. New Technology / Next Generation, Production, Studio/Recording
	Yes No	Jumping into the Kiddie Pool: Diving for Dollars by Playing for Kids Tor Hyams, HyLo Entertainment The best way to make money these days in family music is through touring and selling merchandise. M... READ MORE The best way to make money these days in family music is through touring and selling merchandise. More grown up artists are making albums for kids. They're playing kid's music venues during the day and grown-up shows at night. It's a total win. Venues and artists are making money with this new revenue stream. With increasing competition from adult artists, kid's artists need to get much more savvy, ie how their CDs sound and look and how they market themselves. Understanding your audience is key to success; making videos, playing to the educational market and consistently networking. With a good marketing plan, frequent touring, and merchandise, musicians and venues can dive for dollars. Come on in. The water's warm! A&R, Business, Distribution, Entrepreneurial, Touring
	Yes No	Record Club Danny Benair, natural Energy Lab Record Club started in Los Angeles when Danny Benair decided that with the loss of many traditional... READ MORE Record Club started in Los Angeles when Danny Benair decided that with the loss of many traditional record stores also came the loss of personal face time with people that were still excited by new and old music. Once a month in LA, Record Club gives people the opportunity to discuss, face to face, the music that they are passionate about and play a song or two. Each month features a new theme and new participants. This panel will bring the Record Club experience to SXSW and have the panelists talk about what music truly means to them. Human Interest
	Yes No	Survival Techniques for Producers Scott Mathews, Hit or Myth Productions / Music Production Record Producer royalties are basically a thing of the past. Companies are no longer sending produce... READ MORE Record Producer royalties are basically a thing of the past. Companies are no longer sending producers statements of sales. It is an invitation to audit and sue,if you know there is enough waiting to cover the costs. How do '360 deals' impact the producer's compensation? Production
	Yes No	Place Yourself: Licensing Opportunities for Independent Musicians Roy Elkins, Broadjam Online communities of musicians and music placement services have created highly efficient and democ... READ MORE Online communities of musicians and music placement services have created highly efficient and democratized systems for licensing original independent music. This discussion will show how creative agencies and music supervisors discover independent music through these services and analyze the new era of music placement opportunities for independent musicians. Advertising, Licensing, Music 2.0, Music Placement, New Technology / Next Generation
	Yes No	Beyond MySpace: How To Best Use Social Media Rosie Siman, Translation LLC With so many tools to help artists publish content on their own, exposure has become somewhat decent... READ MORE With so many tools to help artists publish content on their own, exposure has become somewhat decentralized. Artists that understand emerging technology platforms and the importance of digital strategy will be the ones who succeed. We will review various social media platforms and how they can help best help you. Blogging, Community, Entrepreneurial, Marketing / PR / Branding, New Technology / Next Generation
	Yes No	Does Rock and Roll Belong in a Museum? Jim Henke, Rock and Roll Hall of Fame and Museum Initially, many thought the idea of the Rock Hall was antithetical to the spirit of rock and roll. D... READ MORE Initially, many thought the idea of the Rock Hall was antithetical to the spirit of rock and roll. Despite its success, the question of whether rock and roll belongs in a museum persists. This panel addresses the relevance, importance and future of the preservation and education about this art form. History of Music, Human Interest

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