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	Yes No	IdeaName IdeaPresenterFirstname IdeaPresenterLastname, IdeaCompany IdeaDescription... READ MORE IdeaDescription ARGs, Back-End Programming / Databases, Blogging, Branding / Marketing / Publicity, Business / Entrepreneurial / Monetization, Career / Work Concerns, Case Study, Cloud Storage / Delivery, Collaborative Filtering, Community / Online Community, Content Management, Design Thinking, Digital Divide, Digital Filmmaking, Education, Front-End Programming, Geolocation, Government and Technology, Hardware, History of Technology, Interface Design, International, Licensing / Fair Use / Copyright, Mobile / Wireless, Mobile Applications, Online Relationships, Online Video, Other / Out There, Search, Self-Help / Self-Improvement, Social Issues, Social Networking, User Experience, User Generated Content, Visual Design, Web Apps / Widgets, Writing / Technical Writing IdeaTags1, IdeaTags2, IdeaTags3
	Yes No	Transmedia Storytelling - Creating Stories That Work Over all Platforms James Milward, Secret Location Why and how are narrative worlds, be it traditional Film, Television, or New Media stories expanding... READ MORE Why and how are narrative worlds, be it traditional Film, Television, or New Media stories expanding across different media outlets and platforms? What are the emerging features of 'Transmedia' behavior, consumption and production? What do these new forms of storytelling, product and service design and branding tell us about future convergence of culture and technology? Cross-media, multiple platforms, hybrid media, intertextual commodity, transmedial worlds, transmedial interactions, intermedia, multimodality, media convergence… the lexicon of buzzwords is growing and we need to clear the air and create common understanding. Meanwhile, the stories are blasting and expanding through different screens, surfaces and spaces. This panel will introduce the main issues around these media experiences and analyze some examples of transmedia storytelling. Finally this panel will clarify, and lead the audience to a new understanding of Transmedia and how they can apply it's principals to their own projects. Advertising, ARGs, Digital Distribution, Digital Filmmaking, Writing / Technical Writing
	Yes No	DIY Digital Showrunning: How To Create An Online Video Show Craig Moore, Spider Video Want to make your own show like Geekbrief, Rocketboom, Winelibrary or Diggnation? You can! This pr... READ MORE Want to make your own show like Geekbrief, Rocketboom, Winelibrary or Diggnation? You can! This presentation will walk you through the planning and execution steps of creating, producing and distributing your own online video show. Learn gear and editing, pre-production planning, best practices, free tools, distribution methods and a smattering of tech talk. You can do it. Community / Online Community, Digital Filmmaking, Online Video, Social Networking, User Generated Content
	Yes No	Web Video: Can We Now Say Something Sucks? Liz Shannon Miller, NewTeeVee Online video is becoming a legitimate, engaging storytelling medium. But has it evolved to the poin... READ MORE Online video is becoming a legitimate, engaging storytelling medium. But has it evolved to the point where we can successfully critique it? And how do we as a community draw the line between encouraging new creators to contribute and establishing standards for quality content? Because, face it, sometimes "it stinks!" Community / Online Community, Digital Filmmaking, Journalism 2.0, Online Video, User Generated Content
	Yes No	Animation and Gaming: Creative Ways to Build Better Digital Characters Rob O'Neill, Kickstand, LLC See what it takes to create compelling digital characters from technical directors who worked on fea... READ MORE See what it takes to create compelling digital characters from technical directors who worked on feature films such as Dreamworks' "Shrek" and "Madagascar." Learn what makes a character compelling, how to develop characters for animation and games, what you need to build a character pipeline and much more. Animation / Cartoons, Digital Filmmaking, Video Games, Visual Design
	Yes No	Virtual Television: Collaboration & Communities Keren Flavell, Treet TV The genre of filmmaking called machinima has achieved mainstream recognition with celebrated product... READ MORE The genre of filmmaking called machinima has achieved mainstream recognition with celebrated productions shot in games like Halo, World of Warcraft and Second Life. Less widely known are the emerging trends in collaborative production using 3D worlds that result in live broadcasts to multiple platforms including into the virtual spaces themselves. Animation / Cartoons, Community / Online Community, Digital Distribution, Digital Filmmaking, Online Video
	Yes No	YouTube 2015: The Next Five Years Tim Hwang, ROFLCon / Harvard Berkman Center April 2010 marks the 5th anniversary of YouTube, and this is a chance to imagine how YouTube - and o... READ MORE April 2010 marks the 5th anniversary of YouTube, and this is a chance to imagine how YouTube - and online video in general - will evolve over the next 5 years, creatively, technically and culturally. Digital Distribution, Digital Filmmaking, New Technology / Next Generation, Online Video
	Yes No	From Eidos to FORscene, Streater's New Video Technology Stephen Streater, FORscene web 2.0 video technology Artificial intelligence visionary, Stephen Streater, has done the impossible one more time with his ... READ MORE Artificial intelligence visionary, Stephen Streater, has done the impossible one more time with his creation of frame-accurate editing over the internet. He’s moved from pioneering video gaming at Eidos to spearheading the shift to web 2.0 video editing for interactive and film. Here’s the inside scoop. The revolution is on. Digital Filmmaking, Journalism 2.0, New Technology / Next Generation, Online Video, User Generated Content
	Yes No	Media Cloud: Taking Dynamic Media to the Cloud Danny Riddell, Archetype Why is the cloud so important to online media? As online video and audio playback increases in popul... READ MORE Why is the cloud so important to online media? As online video and audio playback increases in popularity, so does the need for extensive bandwidth, scalability, and stability. This session deep dives into the advantages and challenges of taking media management, editing, and playback to the cloud. Back-End Programming / Databases, Cloud Storage / Delivery, Content Management, Digital Filmmaking, Online Video
	Yes No	Beyond Advertising: Can Online Video Finally Pay? Robert Millis, Dynamo Ask content creators if advertising is paying the bills, and most will say it doesn't. While iTunes,... READ MORE Ask content creators if advertising is paying the bills, and most will say it doesn't. While iTunes, Hulu and Netflix serve the major networks, independents rely on a trickle of advertising revenue. We present options for totally portable, embeddable, and viral distribution with micropayments. Power (and payments) to the people! Business / Entrepreneurial / Monetization, Digital Distribution, Digital Filmmaking, New Technology / Next Generation, Online Video
	Yes No	Web Video for Web Design Companies: Preproduction to Promotion Patrick Ortman, PatrickOrtman, Inc. So your web design clients have been asking you about putting video on their websites, and they're e... READ MORE So your web design clients have been asking you about putting video on their websites, and they're expecting you to produce that video, too. What are the tools and techniques needed to move beyond basic video podcasting and into the world of corporate web video? This presentation will involve case studies and discussion of the skills and the gear you need to succeed from preproduction to promotion. Digital Distribution, Digital Filmmaking, Online Video
	Yes No	The New Agency Model: Interactive Content Creation Tim Nolan, Hush Studios What will the digital studio, content shop, creative agency look like in the coming years? With the ... READ MORE What will the digital studio, content shop, creative agency look like in the coming years? With the world's of interactive, broadcast, and mobile colliding, who will be best suited to serve the client compelling content as a one stop shop? Branding / Marketing / Publicity, Content, Digital Divide, Digital Filmmaking
	Yes No	Taking Traditional Narrative Online: Extending Film Worlds Interactively Matt Golding, Team Rubber Creation and marketing of films is becoming increasingly complex as technology opens up new ways of ... READ MORE Creation and marketing of films is becoming increasingly complex as technology opens up new ways of connecting with audiences. How are filmmakers, from the studios, to independent pioneers, using the web to connect with their audiences, and how does this new narrative universe fit with the idea of interactive storytelling? Advertising, ARGs, Digital Distribution, Digital Filmmaking
	Yes No	New Ways Indy Filmmakers Can Leverage Major Media David Gale, MTV New Media The web has always been thought of as a place where individual and Indy filmmakers can maintain crea... READ MORE The web has always been thought of as a place where individual and Indy filmmakers can maintain creative control over their content and still get the exposure they are looking for. While in reality this maintains true artists still need a platform, just as they once did, to reach the masses. With media companies looking for new ways to experiment online, there seems to be a place for these two extremes to come together. MTV and Craig Brewer’s $5 Cover is a perfect example of what could be a growing trend in entertainment. Branding / Marketing / Publicity, Content, Digital Filmmaking, New Technology / Next Generation, Online Video
	Yes No	How To Create Online Video That Doesn't Suck! Eric Susch, Let's Knit2gether The team from Let’s Knit2gether reveals all their secrets for creating broadcast quality video (an... READ MORE The team from Let’s Knit2gether reveals all their secrets for creating broadcast quality video (and audio!) with minimal time and manpower. Find out how they light, record audio, edit and encode flash. Discover what’s in their location equipment bag and participate in a live demonstration of interview techniques. Community / Online Community, Content, Digital Distribution, Digital Filmmaking, Online Video
	Yes No	Can Collaborative Filmmaking Wreck Hollywood Peter Vesterbacka, Wreckamovie Filmmaking is a very collaborative process by default involving a lot of different skills and compet... READ MORE Filmmaking is a very collaborative process by default involving a lot of different skills and competencies. The Hollywood studios have already indentified the big bad Internet as a big threat, even going as far as having CEOs saying that "nothing good has come out of the Internet". When talking about distribution the threat to the status quo is clear, but could it be that it's actually collaborative online production that will pose the biggest challenge to Hollywood yet? Talented people around the globe are working on huge movie projects together, empowered by the latest collaboration technologies. The productions are already rivaling Hollywood in production quality and distribution is free. Star Wreck, Snowblind, Norwegian Ninja and many others you have never heard of are being made by people you never heard of. But you can bet you soon will... Case Study, Community / Online Community, Digital Filmmaking, International
	Yes No	IdeaName IdeaPresenterFirstname IdeaPresenterLastname, IdeaCompany IdeaDescription... READ MORE IdeaDescription ARGs, Back-End Programming / Databases, Blogging, Branding / Marketing / Publicity, Business / Entrepreneurial / Monetization, Career / Work Concerns, Case Study, Cloud Storage / Delivery, Collaborative Filtering, Community / Online Community, Content Management, Design Thinking, Digital Divide, Digital Filmmaking, Education, Front-End Programming, Geolocation, Government and Technology, Hardware, History of Technology, Interface Design, International, Licensing / Fair Use / Copyright, Mobile / Wireless, Mobile Applications, Online Relationships, Online Video, Other / Out There, Search, Self-Help / Self-Improvement, Social Issues, Social Networking, User Experience, User Generated Content, Visual Design, Web Apps / Widgets, Writing / Technical Writing IdeaTags1, IdeaTags2, IdeaTags3
	Yes No	"Document"-ing History: From Nanook to @Nanook Jeff Deutchman, Consensual Cinema Documentaries have always had a promising but problematic relationship with history-writing, revolvi... READ MORE Documentaries have always had a promising but problematic relationship with history-writing, revolving around the inevitable presence of filmmaker subjectivity. Strategic use of the web could provide an antidote, as crowd-sourcing becomes a means towards historical polyphony. This panel will debate new techniques of historical preservation in the video medium. (This could be an interactive or film panel.) Digital Filmmaking, New Technology / Next Generation, Online Video, User Generated Content
	Yes No	Using Machinima to Market Your Brand Sasha Rudie, Machinimoo Machinima, or video made in 3D gaming platforms, is quickly becoming a popular way to market brands.... READ MORE Machinima, or video made in 3D gaming platforms, is quickly becoming a popular way to market brands. This session will discuss the specific uses of machinima, copyright issues, what game engines work best, and how it can be made for a fraction of the cost of traditional video. Animation / Cartoons, Branding / Marketing / Publicity, Digital Filmmaking, Online Video, Video Games
	Yes No	The Future is Now: Immersive Advertising as Gameplay Loni Peristere, Zoic Studios Zoic Studios Director Loni Peristere discusses an innovative production process developed during the... READ MORE Zoic Studios Director Loni Peristere discusses an innovative production process developed during the creation of the first ever "4-D" interactive commercial for the highly anticipated game Killzone 2. Zoic Studos and Guerrilla Games companies, along with clear guidance from Deutsch Advertising, strategized a multi-stage project that would simultaneously address the design and production of a "4-D" user-playable commercial – which was released on the PlayStation Network to bring this revolutionary interactive commercial directly to the consumer. Advertising, Case Study, Digital Filmmaking, User Experience, Video Games
	Yes No	IdeaName IdeaPresenterFirstname IdeaPresenterLastname, IdeaCompany IdeaDescription... READ MORE IdeaDescription ARGs, Back-End Programming / Databases, Blogging, Branding / Marketing / Publicity, Business / Entrepreneurial / Monetization, Career / Work Concerns, Case Study, Cloud Storage / Delivery, Collaborative Filtering, Community / Online Community, Content Management, Design Thinking, Digital Divide, Digital Filmmaking, Education, Front-End Programming, Geolocation, Government and Technology, Hardware, History of Technology, Interface Design, International, Licensing / Fair Use / Copyright, Mobile / Wireless, Mobile Applications, Online Relationships, Online Video, Other / Out There, Search, Self-Help / Self-Improvement, Social Issues, Social Networking, User Experience, User Generated Content, Visual Design, Web Apps / Widgets, Writing / Technical Writing IdeaTags1, IdeaTags2, IdeaTags3
	Yes No	Story! The Secret to Online Video Eric Susch, Let's Knit2gether Online video is moving beyond dogs on skateboards. As viewers become more sophisticated story becom... READ MORE Online video is moving beyond dogs on skateboards. As viewers become more sophisticated story becomes more important. The team from Let’s Knit2gether will show you how to keep your viewers engaged and coming back for more, even if your video is non-fiction. Community / Online Community, Content, Digital Distribution, Digital Filmmaking, Online Video
	Yes No	Why Does Online Content Have an Inferiority Complex? Barrett Garese, Spytap Industries Terms like “Web Television” and “Online Film” are shortchanging online content by describing... READ MORE Terms like “Web Television” and “Online Film” are shortchanging online content by describing a burgeoning new entertainment platform as nothing more than a variation on an existing one. Does the most innovative mass entertainment medium in decades have a self-confidence issue or is this all a problem of verbiage? Branding / Marketing / Publicity, Content, Digital Filmmaking, Online Video
	Yes No	Are Web Video Analytics Critically Damping Content Length? Troy Lanier, DadLabs Web video analytics allow producers to measure viewer engagement . Will this new data drive video l... READ MORE Web video analytics allow producers to measure viewer engagement . Will this new data drive video length on the web into a steady state and thereby define a new video genre? Or do new interactive players make the system more stochastic? Restated: Does an ideal web video length exist? Collaborative Filtering, Content, Digital Distribution, Digital Filmmaking, Online Video
	Yes No	Show Me the Money: Revenues from New Media Storytelling. Hank Blumenthal, Georgia Institute of Technology Where are the revenues from New Media storytelling including forms like web series and distribution... READ MORE Where are the revenues from New Media storytelling including forms like web series and distribution platforms like iTunes? As the television and motion picture business begin to go through the tumult that the music industry went through 10 years ago and we see new forms of content evolving - how will content creators finance and produce their work? ARGs, Business / Entrepreneurial / Monetization, Content, Digital Filmmaking, Online Video
	Yes No	Virtual Interviews: A Chat With Darwin's Ghost Ralph Vituccio, Entertainment Technology Center, Carnegie Mellon Synthetic Interview is a unique technology that allows an individual to have a conversation with a c... READ MORE Synthetic Interview is a unique technology that allows an individual to have a conversation with a character or persona as if that person were present in real-time. The goal is creating immersive experiences, allowing guests to interact cinematically with a digital character from either the past, the present or the future. Synthetic Interview is an interactive, cinematic experience allowing users to question the ghost of Darwin about his adventures, his theory of evolution, the public response to his theory, his personal quirks and a number of other topics. Synthetic Interviews have given life to Albert Einstein, Benjamin Franklin and Abraham Lincoln. Content Management, Digital Filmmaking, Education, Interface Design, User Experience
	Yes No	First-Person Storytelling: My So-Called Digital Life Amanda Hirsch, P.O.V. Is a Twitter feed a memoir in real time? What are the best examples of first-person storytelling acr... READ MORE Is a Twitter feed a memoir in real time? What are the best examples of first-person storytelling across digital media? Consider how new technologies are changing the ways in which we document our lives, and what our approach to personal storytelling reveals about who we are. Blogging, Content, Digital Filmmaking, User Generated Content
	Yes No	Voodoo Brew: Innovative Tax Credits for Smart Entrepreneurs Sherri McConnell, Louisiana Entertainment Know more about Louisiana’s innovative tax credits that finance filmmakers, web 2.0 entrepreneurs,... READ MORE Know more about Louisiana’s innovative tax credits that finance filmmakers, web 2.0 entrepreneurs, game developers, and even touring musicians. Tax credits are soft money that can help you make your next project a reality in a creative setting. From repeat customers like Disney to tiny digital entrepreneurs...many have benefitted from Louisiana's holistic entertainment package of tax credits. Business / Entrepreneurial / Monetization, Career / Work Concerns, Digital Distribution, Digital Filmmaking, Economic Concerns
	Yes No	IdeaName IdeaPresenterFirstname IdeaPresenterLastname, IdeaCompany Figure that most SXSW attendees have an intermediate or advanced level of expertise in their field. ... READ MORE Figure that most SXSW attendees have an intermediate or advanced level of expertise in their field. But, the "in their field" are probably the most important words in that sentence. So, if you are going to propose a beginner-level session for the PanelPicker, your best bet is to focus on a field most attendees are not familiar with. For instance, "Web Development 101: How to Build Your Site" probably doesn't make sense for SXSW Interactive. But, "Bee-Keeping 101: What Honey Farmers Can Teach us About the Web" would probably draw a big crowd. No, you do not need to have other speakers confirmed when you submit your panel idea. In fact, we strongly prefer that you do NOT confirm these other speakers until your panel idea is accepted -- because SXSW staff will want to work closely with you to make sure there is sufficient diversity of gender, geography, race and opinion on your session. No, you do not need to have other speakers confirmed when you submit your panel idea. In fact, we strongly prefer that you do NOT confirm these other speakers until your panel idea is accepted -- because SXSW staff will want to work closely with you to make sure there is sufficient diversity of gender, geography, race and opinion on your session. No, you do not need to have other speakers confirmed when you submit your panel idea. In fact, we strongly prefer that you do NOT confirm these other speakers until your panel idea is accepted -- because SXSW staff will want to work closely with you to make sure there is sufficient diversity of gender, geography, race and opinion on your session. No, you do not need to have other speakers confirmed when you submit your panel idea. In fact, we strongly prefer that you do NOT confirm these other speakers until your panel idea is accepted -- because SXSW staff will want to work closely with you to make sure there is sufficient diversity of gender, geography, race and opinion on your session. ARGs, Back-End Programming / Databases, Blogging, Branding / Marketing / Publicity, Business / Entrepreneurial / Monetization, Career / Work Concerns, Case Study, Cloud Storage / Delivery, Collaborative Filtering, Community / Online Community, Content Management, Design Thinking, Digital Divide, Digital Filmmaking, Education, Front-End Programming, Geolocation, Government and Technology, Hardware, History of Technology, Interface Design, International, Licensing / Fair Use / Copyright, Mobile / Wireless, Mobile Applications, Online Relationships, Online Video, Other / Out There, Search, Self-Help / Self-Improvement, Social Issues, Social Networking, User Experience, User Generated Content, Visual Design, Web Apps / Widgets, Writing / Technical Writing IdeaTags1, IdeaTags2, IdeaTags3
	Yes No	IdeaName IdeaPresenterFirstname IdeaPresenterLastname, IdeaCompany IdeaDescription... READ MORE IdeaDescription ARGs, Back-End Programming / Databases, Blogging, Branding / Marketing / Publicity, Business / Entrepreneurial / Monetization, Career / Work Concerns, Case Study, Cloud Storage / Delivery, Collaborative Filtering, Community / Online Community, Content Management, Design Thinking, Digital Divide, Digital Filmmaking, Education, Front-End Programming, Geolocation, Government and Technology, Hardware, History of Technology, Interface Design, International, Licensing / Fair Use / Copyright, Mobile / Wireless, Mobile Applications, Online Relationships, Online Video, Other / Out There, Search, Self-Help / Self-Improvement, Social Issues, Social Networking, User Experience, User Generated Content, Visual Design, Web Apps / Widgets, Writing / Technical Writing IdeaTags1, IdeaTags2, IdeaTags3

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