Turn on ye ole Javascript to add ratings in this low-budg app.

sxsw.com | FAQ | Sign in | Create an account

Home

• Search Panels
• Please note: The voting period is now closed.

Search: Search Proposals Advanced Search

			Category:	All (176) Animation (0) Case Study (13) Casting (4) Comedy (2) Content (19) Contracts (4) Distribution (17) Documentary (7) Editing (1) Film Criticism (7) Film Festivals (1) Funding (8) Green Filmmaking (0) Marketing / PR / Publicity (24) Music in Film (6) New Technology / Next Generation (34) Production (17) Screenwriting (2) Social Networks (8) Webisodes (2)
Panel Title:			Tag:
Description:			Format:	Solo Conversation Panel Core Conversation Workshop
Organizer:			Level:	Beginner Intermediate Advanced
Company:			Comments:
Search Proposals Reset

Link to this page

30-60 of 176 <

page: 1 2 3 4 5 6 go

>

	Yes No	The Not So Sexy Side Of Music For Film & TV Dominique Preyer, Hear It - Clear It Music Supervision In the world of licensing music for Film & TV, the sexy side, or creative side, seems to get a l... READ MORE In the world of licensing music for Film & TV, the sexy side, or creative side, seems to get a lot of the attention whereas the not so sexy side, or the business side, is somewhat of a daunting and unfamiliar territory. This panel of professional music & film industry experts who are involved in the day to day business side of getting everything legal will focus on make the administrative side of music in film more sexy and appealing. The panelists will discuss the many issues that one can encounter when clearing and licensing music from the business/administrative side. Various topics of discussion will include best practices to follow in order to make the licensing process easier and avoiding disputes, resolving misunderstandings and possible legal action. Music in Film Film Music, Legal Issues, licensing
	Yes No	3-DIY: Do It Yourself 3-D for Indie Filmmakers Eric Kurland, Workprint Films/3-DIY Stereoscopic 3-D is not just a gimmick for hollywood studio blockbusters. Independent filmmakers fro... READ MORE Stereoscopic 3-D is not just a gimmick for hollywood studio blockbusters. Independent filmmakers from the 3-DIY movement (do-it-yourself 3-D) are embracing the technology of 3-D, and utilizing it to create a new language for innovative storytelling and experimentation. In this panel, filmmakers interested in working in 3-D will learn about the art, craft and business of 3-D production and distribution through case study examples of low-budget indie projects shot in 3-D, including two recent music videos by the band OK Go. New Technology / Next Generation 3D, new media, Stereoscopic Production
	Yes No	Into the Lens: The Camera as Character Roy Christopher, The University of Texas at Austin The camera lens represents a paradox in film, a struggle between — and a mix of — exposure and i... READ MORE The camera lens represents a paradox in film, a struggle between — and a mix of — exposure and isolation. Exposure to one thing and isolation from another. The sense of isolation from safety and exposure to hostility. The exposure in some films is total, and the isolation is from any vantage point other than the single camera’s eye. Filmmakers are typically trying to get movie cameras “out of the way” of the movie. The idea is for the camera to be transparent, much like has been proposed in computer interface design, but in some cases, the single camera’s limits are what define a film's experience. Content camera, filmmaking, Transparency
	Yes No	Indie Producers Turning to Cable Series Lucy Barzun Donnelly, Locomotive Indie producers Peter Friedlander (A BAG OF HAMMERS - SXSW 2011, BIG LOVE), Lucy Donnelly (GREY GARD... READ MORE Indie producers Peter Friedlander (A BAG OF HAMMERS - SXSW 2011, BIG LOVE), Lucy Donnelly (GREY GARDENS, PIECES OF APRIL) and Joshua Astrachan (GOSFORD PARK, A PRAIRIE HOME COMPANION) will talk about the ever-changing marketplace and about finding the best home – be it as a feature, a made-for-TV film, or a series – for your project. Given their unique perspective from working both in indie film and cable TV, they’ll talk about why their projects landed where they did – and why many indie film producers are turning to television, and why television studios and networks are turning to indie filmmakers and producers. For instance, the challenges that exist in finding funding in the marketplace are driving dramas into the realm of TV. It simply becomes a matter of deciding if, when, and how you’ll expand the story over multiple episodes and seasons. So what would be the best fit for YOUR project? This is an opportunity to debate and discuss your projects with experienced producers who do this on a regular basis. Joshua, Lucy and Peter want the audience to pitch ideas (quickly) – and figure out collectively what medium would be the best fit to get great content actually produced. Production Indie, TV
	Yes No	Getting the Rights Right Mike Farris, Vincent Lopez Serafino Jenevein P.C. As if there weren’t enough obstacles to successful film production, clearing the legal rights you ... READ MORE As if there weren’t enough obstacles to successful film production, clearing the legal rights you need for your movie represents a major minefield for the unwary filmmaker. The legal journey from story idea to finished film is fraught with danger, from obtaining story or source material rights, or a screenplay, itself, or ensuring that your work-for-hire contract with a screenwriter passes muster; to clearing rights for using locations, products, or trademarked or copyrighted material during filming; and on up to protecting your rights in the finished film from potential creditors. Entertainment attorney/film producer Sally Helppie and entertainment attorney/literary agent Mike Farris will act as your guides to safely navigate through the minefield to the other side. Production clearances, Legal Issues, rights
	Yes No	Why Digital May Forever Alter TV As We Know It Paul Doherty, Voce Communications With 24/7 internet access on our mobile phones, Blu-ray players, HDTVs, laptops and gaming consoles,... READ MORE With 24/7 internet access on our mobile phones, Blu-ray players, HDTVs, laptops and gaming consoles, the ability to easily stream movies, TV shows, and other digital content has forever changed the way we consume film and video. People older than 50 are more likely to tune into TV broadcasts, while people younger than 25 are actively watching online video. The revolution in business models and digital distribution that disrupted the music industry has turned the TV and film industry on its head. As a result we are seeing a paradigm shift where producers, TV execs, gaming publishers, and print authors are paving new roads to build business models around on-demand video that is accessible across multiple devices. This presentation will discuss where the present round of convergence is leading, what the opportunity is for monetizing content beyond ad-based revenue, and what forms of new interactive media we can expect to see on network-enabled devices. Content connected devices, digital video, on demand
	Yes No	In The Cut: Editing A Killer Sample Kyle Henry, Northwestern University Present an under 10 minute sample of your doc or narrative feature film and hear feedback from a pan... READ MORE Present an under 10 minute sample of your doc or narrative feature film and hear feedback from a panel of editing experts with over thirty years of combined editing experience on everything from ITVS/PBS funded docs to big-budget Hollywood features. Through actual feedback, learn from editors what makes a sample hook potential funders and provide a clear, riveting example of your eventually completed work. Led by editor Kyle Henry, who has edited sample videos for four successfully funded ITVS submissions including: TROOP 1500, Heather Courtney's SXSW award winning WHERE SOLDIERS COME FROM and LETTERS FROM THE OTHER SIDE; and PJ Raval's upcoming UNTITLED GAY RETIREE DOC. Five samples will be chosen at random from DVDs submitted at the start of the workshop for 10 minute feedback sessions by editor panelists. Editing Editing, Fund Raising, Producing
	Yes No	Bringing Sexy Back: Where's the Line Today? Lisa Vandever, CineKink Back in the day, independent films were known for pushing the boundaries on depictions of sexuality.... READ MORE Back in the day, independent films were known for pushing the boundaries on depictions of sexuality. But where do we stand now? A panel of filmmakers will discuss that line.. along with thoughts on how a current crop of creators can embrace and highlight sexuality in their own works. Content filmmaking, porn, sex
	Yes No	Lights, Camera, Social Action! Jason Sywak, Participant Media With films such as Food, Inc. and Waiting For ‘Superman’, Participant Media uses film as a vehic... READ MORE With films such as Food, Inc. and Waiting For ‘Superman’, Participant Media uses film as a vehicle to create communities focused on change. But how do you keep the momentum of a movement after the film has run its course? Experts in the field, including some of those involved in the social action campaigns for the aforementioned filmes, will illustrate how a movie’s social action can successfully live on long after the film’s release. Through the use of traditional and new media, online and mobile technology, we will demonstrate the how to's of sustaining local, national and global movements that began with your film. Marketing / PR / Publicity cause marketing, Green Films, Social Action
	Yes No	In The Cloud: Your Film in a Post-Ownership World Sommer Hixson, New Video The music industry nearly collapsed in a massive shift in the way people discover and use music. Wit... READ MORE The music industry nearly collapsed in a massive shift in the way people discover and use music. With e-books, the literary world is in tumult. Millions of people now consume content without ever owning it or touching it. We are in the early stages of a massive paradigm shift that will forever change people's attitudes towards “consuming” film and TV. With shelves of books, video and music reincarnated in the Cloud, opportunities for indies are rapidly changing. A $10 gross profit on a DVD is now a nickel for a stream. The proliferation of digital platforms--with Microsoft, Amazon, Google and Netflix leading the charge--calls for nimbleness, flexibility and DIY savvy. These skills are old-hat to the indie producer. And as we know, connecting social media between your film and its audience is key. A panel of filmmakers, distributors and technology experts will share their vision of the future, critical insights on new trends, and concrete strategies for survival in a post-ownership world. New Video has evolved in 25 years from a local video store to become the world’s largest distributor of independent digital content, managing and aggregating more than 10,000 hours of film, TV and web titles. Specializing in indie, documentary and art house films, New Video distributes across streaming, downloading and cable VOD platforms and hard goods to a broad spectrum of stores and platforms, including iTunes, Amazon, Netflix, Xbox, PlayStation, Hulu, YouTube, B&N, Target, and Best Buy. Distribution digital, distribution, film
	Yes No	Beyond Google to the Hidden World of Information Jo Angela Oehrli, University of Michigan There is a lot of information out on the open web, but it can be difficult to sort through, and you ... READ MORE There is a lot of information out on the open web, but it can be difficult to sort through, and you don't always know how reliable it is. In this session, a variety of electronic database retrieval experts will guide you through the ins and outs of navigating the hundreds of reputable sources available in your local public and/or university library. Librarians and archivists can help you find historical data when preparing the first draft of a screenplay; track down drawings and photographs to make sure your costumes are accurate; tap into new funding and grant possibilities; and traverse the difficult terrain of public records and documents. Learn new search strategies and tips that can benefit all aspects and stages of filmmaking. From pre- to post-production, librarians and archivists can help make your limited budget work for you rather than against you. Content content creation, education, Funding
	Yes No	Build your fanbase and make them promote your film Annie Lynsen, Small Act If your film's marketing budget best resembles a shoestring, how can you hope to acquire the fanbase... READ MORE If your film's marketing budget best resembles a shoestring, how can you hope to acquire the fanbase you need to get your movie into theaters, much less sell tickets? Learn from those who have been there and made miracles happen on a variety of documentary and independent films, including "The Ring," "Life in a Day," and "Restrepo." This session will focus on social media but will also emphasize the need for integrated online and offline strategies. Learn what it takes to truly build not just a fanbase, but a movement behind your film. Marketing / PR / Publicity small budget, social media, word of mouth
	Yes No	Fiscal Sponsorship: An Essential Fundraising Tool Eleanor Whitney, Artspire, a program of the New York Foundation for the Arts Do you want to receive grants for your independent documentary or narrative film but find the fundin... READ MORE Do you want to receive grants for your independent documentary or narrative film but find the funding opportunities you want are restricted to nonprofit organizations? Would your film benefit from offering individual donors a tax deduction for supporting it? Fiscal sponsorship increases filmmakers fund raising capacity and enables them to attract new donors through a partnership with a nonprofit organization. It allows filmmakers to access to funding opportunities from foundations or corporate funders that are usually restricted to 501(c)(3) tax-exempt organizations and gives them ability to offer individual donors the tax-deductible incentive of making a charitable donation. This session will introduce the concept of fiscal sponsorship, explain what types of films benefit from fiscal sponsorship, and review how filmmakers can find a fiscal sponsor that is a good match for their fund raising needs. Funding Fiscal Sponsorship, Fundraising, Grants
	Yes No	Documentary Filmmaking as Employee Engagement Johnny Rooks, The SOAP Group Hear from the team who budgeted, approved, designed and executed an international employee engagemen... READ MORE Hear from the team who budgeted, approved, designed and executed an international employee engagement and institutional learning project using documentary filmmaking as the medium. Sustainability in and of itself is an unquantifiable goal. Unless you set the goal at “no negative environmental impact by 2020” as Interface Global has. Using the medium of documentary filmmaking brought new realizations to this 16-year journey started by Ray Anderson at Interface Carpet. Walk through the rationale, strategies, logistics and findings as the team explores the successes and failures of this project that set out to document employee engagement levels and potentials at 8 different factories in 8 countries with as many, if not more, different cultures. The challenges were immense - organizational support and buy-in, logistical, technical, language barriers, cultural sensitivities, and the natural human barrier to protect fiefdoms. Ultimately, each of these added to the mosaic of the project. Documentary documentaries, educational , sustainability
	Yes No	Selling Your Film Without Getting F*#ked Sheri Candler, Sheri Candler Marketing and Publicity A discussion with filmmakers who have found success in determining their own paths to distribution, ... READ MORE A discussion with filmmakers who have found success in determining their own paths to distribution, whether they self distributed or chose distribution partners to help. They all control some rights over their work. Distribution marketing, self distribution, social media
	Yes No	Publishing & Design: Pushing Journalism Frontiers Matthew Bochenski, The Church of London Film publishing and design generally don't go hand in hand. This panel will discuss the benefits of... READ MORE Film publishing and design generally don't go hand in hand. This panel will discuss the benefits of combining both elements, using the UK's film publication Little White Lies as an example. When the magazine was launched in 2005, it impacted both the film and design communities confirming there was indeed a hole in the market. It also proved there was a new way to talk about film in print - one that didn't rely on access, celebrities and cover splashes, but intelligence, creativity and quality. We will look at the format of existing film magazines, and discuss alternative ways to create strong design and branding both in print and online formats. We will also look at how a solid, identifiable brand can help expand the business model - from community outreach to events. In an overview, how do both publishing and design work together to help create a product that is not only unique and independent in its style, but also sellable to the wider masses. Film Criticism design, film magazines, print
	Yes No	No More Clear Skies Cloud in the Connected Economy Jenn Barbi, Bite Communications Biri Singh, SVP of HP Cloud Services, will provide insight on the exciting trend of public cloud ser... READ MORE Biri Singh, SVP of HP Cloud Services, will provide insight on the exciting trend of public cloud services, giving people access to developing new and upcoming applications and utilizing several Web 2.0 strategies, largely driving today’s economy. As pointed out at the 2011 GigaOm Structure conference, the rapid growth of the application and mobile-driven market has put a spotlight on APIs. Biri will explain the ins and outs of API management and developer tools, as we’ve seen the market grow and diversify. This discussion will also address how APIs have given developers access to important data sets and powerful services, from semantic analysis to 3-D. New Technology / Next Generation APIs and Web 2.0, cloud, Connected Economy
	Yes No	Diversity Counts: Auteurs, Actors and Audiences Vicente Williams, Producers Guild of America Diversity Committee In this panel we'll explore ways for storytellers to use diversity as a tool to enrich themselves, t... READ MORE In this panel we'll explore ways for storytellers to use diversity as a tool to enrich themselves, their projects and the audience in a positive way. We'll discuss programs in the industry that assist filmmakers of diverse backgrounds, the importance and benefits of having a diverse cast, festivals that encourage diverse stories and ways of marketing your project to the audiences who will embrace them the most. Join panelists from the Screen Actors Guild, Film Independent, Alliance of Women Directors, Troublemaker Studios (SPY KIDS franchise, SIN CITY, GRINDHOUSE) and the Producers Guild of America Diversity Committee for an exciting and informative conversation. Production content, diversity, production processes
	Yes No	How to make a profitable feature for $100K Bill Shumake, Angry Nun Productions Father & son moviemaking team Bill & Alexander Shumake explain their tricks of making low-bu... READ MORE Father & son moviemaking team Bill & Alexander Shumake explain their tricks of making low-budget features and selling them for a profit. Case Study low-budget production, movie distirbution, movie funding
	Yes No	How to Succeed at Hogwarts without Really Trying Andrea Baker, Emergent Films While watching the final Harry Potter movie and thinking about Daniel Radcliffe on Broadway the titl... READ MORE While watching the final Harry Potter movie and thinking about Daniel Radcliffe on Broadway the title of this session hit me. I’m making movies and it’s all been a learning experience of learning experiences. My experience from being on other movie sets has prepared me for writing, producing and staring in my own production. All not having the mass funding of big production houses, the big stars and connections of Hollywood, and without even much of a resume on IMDB, but I still did it. My filmmaking process started with the thought that you can shoot a movie of high quality if you just keep your eyes open and pay attention to the inner workings of being on movie sets as a background player or extra. I will show you what I learned and how we were able to put together a movie all in the quiet sleepy unknown of film industry of the state of Maryland. Production Independent Film, low budget, outside hollywood
	Yes No	Film Critics Suck! Scott Weinberg, FEARnet, Fandango, Twitchfilm Do film critics matter? Do you actually need an outside opinion on something like movies? What makes... READ MORE Do film critics matter? Do you actually need an outside opinion on something like movies? What makes for a quality film critic? What makes us more special than YOU, ANYWAY?!? Film critics suck! Film Criticism Critics, film, suck
	Yes No	Digital Cinema: Power to the People Jill Calcaterra, Cinedigm Digital Cinema BIG SCREEN DEMOCRACY: Power to the People. You may not know it, but by the end of 2012 all movie the... READ MORE BIG SCREEN DEMOCRACY: Power to the People. You may not know it, but by the end of 2012 all movie theatres in North America will be digital. What does that mean to content creators, marketers and brand owners? Theatres programmed like cable channels, UGC content, niche releases to targeted audiences, theatrical release opportunity for virtually all films, interactive gaming and cinemas as event locations, with live 3D music concerts, sporting events & more. Once a venue controlled entirely by the major studios, digital cinema has democratized the distribution and marketing of content, connecting producers, brands & IP owners with fans powered by social media. Learn how digital cinema and precision marketing are turning theatres into the ultimate user-generated, user-engaged and user-satisfied experience. All different forms of storytelling come together in the newly interactive digital cinema space, connecting creators with audiences across the revenue life cycle of entertainment. Distribution Film Distribution, Film Marketing, Interactive
	Yes No	Stop Shipping Production Books! Kate Eads, Spotzen Your budget is being ruined by shipping production books.... READ MORE Your budget is being ruined by shipping production books. New Technology / Next Generation software, video production, web platform
	Yes No	Blair Witch What?: Innovation of POV Technology Marc Barros, Contour From budding filmmakers to professional stunt men and BMX riders, POV videography and technology is ... READ MORE From budding filmmakers to professional stunt men and BMX riders, POV videography and technology is essential to capturing first-hand action and sharing it through movies, YouTube or online/social platforms. These cameras have become smaller, more durable, and produce high quality footage, contributing to the dramatically increased use of POV video in the past 5 years. As a result, these technological advances have altered the way producers, musicians, and brands create and distribute content, market themselves, build audience awareness, and engage with fans worldwide. This panel will feature speakers from the film, music and sports industries, including Greg Tracy (noted Hollywood stuntman and filmmaker) and Donovan Frankenreiter (professional surfer and musician) to discuss the value of high quality POV camera technology, benefits of POV filming and interesting ways professionals and amateurs are using these tools. New Technology / Next Generation POVs, social video, Video Cameras
	Yes No	Filmmakers' Guide to Capitol Hill Politics Jody Arlington, Impact Arts + Film Fund Many filmmakers are driven by a desire to tell compelling stories in ways that impact public policie... READ MORE Many filmmakers are driven by a desire to tell compelling stories in ways that impact public policies and laws. This often brings them to the doors of Congress, where major policies are created and changed. Policymakers and filmmakers both want to make a difference but usually operate in such separate realities that creative possibilities can be missed. Join a bipartisan panel of high-powered Congressional staffers on a behind-the-scenes look at how laws and policies are made in Washington, how to connect with the right people, and how to position your film for maximum political impact. Documentary documentaries, Politics, social change
	Yes No	The Animated GIF Appreciation Hour Tim Holden, dbcle.com The last few years have seen an explosion in the popularity of animated GIFs online, and even seen t... READ MORE The last few years have seen an explosion in the popularity of animated GIFs online, and even seen them start to permeate the mainstream. We'll be looking at some striking examples, interviewing some of the most popular GIF artists, and generally hanging out. Bring your own favourite GIF! Everyone has one. Content animation, art, marketing
	Yes No	Coppola vs Kittens: Pro Filmmaking's Online Future Karyn Campbell, The IdeaLists While the market for professionally crafted online films grows daily, the budgets to create them don... READ MORE While the market for professionally crafted online films grows daily, the budgets to create them don't. In this new media landscape, how do production companies continue to produce great work and still run a profitable operation? Much has been discussed about providing amateur filmmakers online voices, but here we flip the script and discuss how professional filmmakers can make the economics of online filmmaking work for them. Meet four folks cracking the code on how to deliver online films worth watching. Content changing models, professionalism, web films
	Yes No	In Search of the Muslim Sassy Gay Friend Alyssa Rosenberg, ThinkProgress Pop culture stereotypes may not always accurately depict members of minority groups. But whether it'... READ MORE Pop culture stereotypes may not always accurately depict members of minority groups. But whether it's the rich depiction of family life on The Cosby Show or the gay men who transform straight people's lives in everything from Queer Eye to Will and Grace, film and television tropes have helped sell mainstream Americans on the idea that a more diverse society benefits everyone. As debates rage about Islam and Islamaphobia in America, Katie Couric's suggested that a Muslim version of The Cosby Show would help hasten acceptance. But instead of one Muslim show, or one Muslim family, we need ideas for Muslim character tropes that will work in lots of shows and lots of movies, and who will make the case that Islam, just like gayness, can bring added value to American life. Looking at roles from Sayid Jarrah on Lost to Abed Nadir on Community, we'll try to figure out what those characters might look like, and what that value add might be. Content media representation, progressive media, Religion
	Yes No	From Capt Hook to Capt Jack: Combating Piracy Brynn Moynihan, Horn Group When you’re only making $10 billion a year, the loss of a third of it (approximately $3 billion) e... READ MORE When you’re only making $10 billion a year, the loss of a third of it (approximately $3 billion) every year is a serious problem. Companies in the film and entertainment industry--even the smaller, independent ones--are constantly combating this issue, and with advancements in technology and the utilization of new media channels industry executives are forced to be more creative with solutions and get ahead of the it. This panel will showcase insights on pirating and how the industry—from Paramount to WPP to AT&T—are combating the problem. Content anti-piracy, Paramount, Piracy
	Yes No	Making a Big Time Movie On A Small Time Budget Nicole Ettinger, Elocin Entertainment Do you have an amazing script but only a little bit of money to produce it? We are a group of filmma... READ MORE Do you have an amazing script but only a little bit of money to produce it? We are a group of filmmakers with tips of the trade on how to shoot an indie film on a shoestring budget. The panel will include perspectives of an independent film producer, a prominent entertainment attorney, a local film commissioner, a casting director and an actor (Matt O'Leary, winner of last year's SXSW Breakthrough Performance Award for "Natural Selection"). Topics we will cover include how to attract actors to your project, how to maximize your production value, how to work with agents and attorneys, and how to utilize your local film commission. If you have a passion project and need guidance on how to bring it to life, we are the panel for you! Production casting, indie film , low budget filmmaking

Link to this page

← Back to the list

30-60 of 176 <

page: 1 2 3 4 5 6 go

>

Shortcuts:

j or ↓

- Go down

k or ↑

- Go up

return

- Go to and comment

0,1

- Vote on selected idea

HELP